\n<\/p>\n
TAIPEI, TAIWAN \u00a0<\/p>\n Hu stands out as one of the traditional Chinese painting \u00a0<\/p>\n Also \u00a0<\/p>\n This TAIPEI, TAIWAN –\u00a0Media OutReach\u00a0– 14 February 2022\u00a0–\u00a0An opening is to be held on February 16, at 3 p.m., for “Vital Blooming: Hu Ke-min Retrospective” at the Sun Yat-sen Memorial Hall’s Bo-Ai Gallery where it is due to run until March 2. \u00a0 Hu stands out as one of the traditional Chinese painting masters who relocated …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[60],"tags":[],"_links":{"self":[{"href":"https:\/\/eodishasamachar.com\/en\/wp-json\/wp\/v2\/posts\/20406"}],"collection":[{"href":"https:\/\/eodishasamachar.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eodishasamachar.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eodishasamachar.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eodishasamachar.com\/en\/wp-json\/wp\/v2\/comments?post=20406"}],"version-history":[{"count":0,"href":"https:\/\/eodishasamachar.com\/en\/wp-json\/wp\/v2\/posts\/20406\/revisions"}],"wp:attachment":[{"href":"https:\/\/eodishasamachar.com\/en\/wp-json\/wp\/v2\/media?parent=20406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eodishasamachar.com\/en\/wp-json\/wp\/v2\/categories?post=20406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eodishasamachar.com\/en\/wp-json\/wp\/v2\/tags?post=20406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n–\u00a0Media
\nOutReach<\/a>\u00a0– 14 February 2022\u00a0–\u00a0<\/b>An opening is to be held on February
\n16, at 3 p.m., for “Vital Blooming: Hu
\nKe-min Retrospective” at the Sun Yat-sen Memorial Hall’s Bo-Ai Gallery where it
\nis due to run until March 2.<\/p>\n
\nmasters who relocated from mainland China to Taiwan in the late 1940s. He is
\nbest known for his bird-and-flower painting and copies of Dunhuang murals. On
\ndisplay at this exhibition are nearly 140 works; alongside the “Chromatic
\nColor,” “Achromatic
\nColor,” and “Dunhuang Frescoes” series are a number of snow landscapes and
\ncalligraphic pieces.<\/p>\n
\nfeatured are “Hundred Flowers” and “Ink and Wash Vegetables” Hu created in 1958
\nand 1978 respectively. Of the former, a collection of ink and wash sketches of
\nTaiwan’s great variety of exotic or rare flowers, readily appealing to the eye
\nare his calligraphic touches and boneless painting rendition. A masterly
\ncombination of sketch and freehand brushwork painting, the later series depict
\n36 vegetables common in daily diets.<\/p>\n
\nexhibition can be traced all the way to the ecstatically palpitating experience
\nof Madame Li Zhong-hua, the
\ncurator, when she stood before a Mayling orchid painting of Hu’s for the first
\ntime years ago. She went on to study painting under Hu’s tutelage and thus had
\nthe opportunity to follow her mentor’s subsequent artistic career up close and
\npersonal. Collecting Hu’s works over the years has been her way to cherish Hu’s
\nmemory. And now she aspires to extend Hu’s artistic life by getting the world
\nto rediscover his works. To share her treasured aesthetic experience with the
\nyounger generation and hopefully with posterity, Li has
\nalso put together Hu’s lifetime of works onto the Internet (https:\/\/hukemin-portfolio.mystrikingly.com\/<\/a>). Her
\nlast wish is to make real her mentor’s\u2014return some of Hu’s works to Changzhou,
\nJiangsu province on the mainland and house them in a memorial museum in his
\nhometown.<\/p>\n<\/p><\/div>\n\n
Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"